Asian Horror Asian Gothic: Asian folklore and GlobalgothicAsian Horror: Sadako Yamamura and the Ring cycleB is for Baempaieo: The rise of K-vampiresBeyond the vampire: Revamping Thai monsters for the urban ageCommunal after-living: Asian ghosts and the cityDetecting ghosts: Anjaan: Special Crimes Unit as global Gothic televisionFrom folklore to horror: The Medium as a case for Thai folk horrorFrom revenants to vampires: The transmedia evolution of the JiangshiGhosts and the machines: Spectres of technological revolutionGlobal spectrologies: Contemporary Thai horror films and the globalization of the supernaturalHong Kong Gothic – Category III films as Gothic cinemaKhmer magic in Thai cinemaLost and found: The found footage phenomenon and Southeast Asian supernatural horror filmMedical mysteries: Madness, magic and malevolent doctors in contemporary Thai horror filmMonsters in the making: Phi Pop and Thai Folk HorrorRingu and the vortex of horror: Contemporary Japanese Horror and the technology of chaosScared stiff: Jiangshi and Chinese vampiresSpirits in suburbia: Ghosts, global desires and the rise of Thai middle-class horrorSpiritus ex machina: Spectral technologies in Asian horror filmStill deaths: The dialectics of photography in contemporary Asian horror filmThai horror film: Ghosts, archives of history/ies, “real life,” and collective traumaThat’s the spirit! Horror films as an extension of Thai spiritualismThe smiling dead, or, on the empirical impossibility of Thai zombiesTwenty-first century Asian Gothic