This article discusses the construction of K-vampires in popular Korean television dramas, focusing on three series that feature central vampire characters: Vampire Prosecutor, a crime procedural running for two seasons in 2011 and 2012, its spin-off, Vampire Detective (2016) and a medical drama Blood (2015). The main protagonists in these series are all simultaneously vampires and members of professions designed to help humans: a lawyer, a detective and a surgeon. Constructed as parallel to humans, these vampires are portrayed as free-willed individuals striving to overcome their condition. The article argues that the humanisation of K-vampires can be seen as a hybridisation strategy blending the characterisation of the ‘reluctant’ vampires known from Western post-millennial fiction with some features of the Korean kumiho, a supernatural shape-shifting fox creature that desires to become human. The article also proposes to read the series in the Neo-Confucian context, particularly in relation to its social and gender norms. It argues that while the male vampires in the series function chiefly to deliver critique of Korean neoliberal society, with the heroes modelled on the virtuous seonbi scholars and the villains described as sociopathic capitalists, the female vampires are mostly portrayed as tragic heroines, vilified for their moral transgressions and redeemed through selfless sacrifice.
Resources