This article discusses the construction of phi pop as the monstrous figure of Thai folklore and proposes to read phi pop films as a classic example of Thai folk horror – a local sub-genre of horror whose main convention seems to be the representation of the insurmountable rural/urban divide. The films take different approaches to the topic, and the cinematic phi pop emerges as a figure of both comedy and horror, although in newer productions where the creature is no longer isolated in a remote village but rather follows rural migrants into the city, its portrayals are significantly more unnerving. The chapter provides a brief overview of Thai beliefs concerning the origin and characteristics of the creature and examines four films representative of most common approaches to Thai folk horror: Ban Phi Pop (Srisawat 1989), P (Spurrier 2005), Mekong Hotel (Weerasethakul 2012) and Pob (Ratanaruang 2018).
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