The chapter looks at three distinct themes in what we could loosely term Asian ‘apartment horror’ films that are characteristic of the specific sociocultural contexts and urban cultural economies they represent: (1) the portrayal of the contiguous community where ghosts co-habit the space alongside the living; (2) the alienating character of modern urban communal lifestyles, where ghosts are more visible than the living, and the biggest fear of both groups is that of loneliness and isolation; and finally (3) the placement of the ghost as a representation of a failed dream of economic success that continues to drive the migration of Asian rural populations to the cities.
Resources