Modern vampires cannot exist without music. I would even go as far as to suggest that certain type of music functions as symbolic representation of the vampire mythos, even though, when analysed on its own, the music in question is not meant to be considered illustrative or symbolic as such. This article offers an insight into the late 20th century vampire-themed music found in film soundtracks, theatrical scores or chart songs. Though representing a variety of musical styles and forms, this musical illustration to the never-ending vampire saga can be brought down to a number of recognisable patterns intended to evoke a particular response and, as such, becoming clear, easy to decode sound messages. These simple sound messages become the musical mark of the vampire resistant to the evolution of music and development of new trends and fashions. Armed with music, the vampire is no longer voiceless.
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